Elizabeth Maconchy did not come from a musical family, but after she showed early musical promise, her supportive, recently-widowed mother moved the family to London so that she could study at the Royal College of Music (RCM). A suggestion by the director of the RCM that Maconchy would stop composing after marriage proved wrong. Instead she enjoyed a startlingly successful beginning to her career with high-profile premieres including The Land, a four-movement suite for large orchestra, performed at the Henry Wood Promenade Concerts (later the BBC Proms) in 1930. Despite nearly dying from tuberculosis, many performances followed, in England, Ireland and on the continent. She became Chair of the Composers Guild of Great Britain, and Chair, later President, of the Society for the Promotion of New Music. Maconchy composed around 200 works including the acclaimed series of thirteen string quartets, much other chamber music, and many orchestral works. She wrote often for voice: solo songs, choral works ranging from miniatures to cantatas, and a number of operas.
Siglo de Oro Soprano: Victoria Meteyard Alto: Rebekah Jones Tenor: Paul Bentley-Angell Bass: David Le Prevost Artistic Director: Patrick Allies Recorded July 2021 at St Augustine's Kilburn, with the kind permission of the Rector and Churchwardens Recording (c) MoV (2021) Available in Multitude of Voyces Sacred Music by Women Composers Volume 3 https://www.multitudeofvoyces.co.uk/v...
Also available as a printed leaflet. https://www.multitudeofvoyces.co.uk/o...
Nowell, Nowell, Nowell was commissioned by Cambridge University Press for The Cambridge Hymnal, edited by David Holbrook and Elizabeth Poston, first published in 1967.
Composed for the Cambridge Hymnal (1967) commissioned by Elizabeth Poston.
World premiere recording by Continuum, a Project Partner of Multitude of Voyces, registered charity 1201139 Part of Multitude of Voyces' Maconchy Project Recording (c) Multitude of Voyces (2025)
Robert Herrick, poet and Anglican cleric (1591–1674)
Down with the rosemary and bays was first published in 1648 within Herrick’s volume Hesperides: or, The Works both Humane and Divine of Robert Herrick Esq.
The verses comprise the first of three sections - ‘Ceremonies for Candlemasse Eve; The Ceremonies for Candlemasse day; Upon Candlemasse day’ - which draw on customs traditional to some communities in England, to mark the Feast of Candlemas.
The text appears as published within The Poetical Works of Robert Herrick (ed. F. W. Moorman) (Oxford At The Clarendon Press, 1915) though both spelling and punctuation have been modernised in this edition.
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